Following is the Kobe and shaq at Lakers media day shirt Additionally,I will love this Wunderkammer room, focused on the maison’s bijou wonders. (Some of the pieces are actually hanging on the ceiling, which is another way Gioni has played with the idea of changing perspectives.) Then onto the archive room, which is modeled after a storage space. Here, Fury wanted to replicate his own experience of discovery when going through the maison’s holdings; to capture “this idea of hidden treasure and going around corners, opening a drawer, and uncovering something amazing.” It’s an interactive room where visitors can similarly pull drawers to discover hidden treasures. For Piccioli, it was important that Valentino’s history be inclusive, and also included are designs he created with Maria Grazia Chiuri as well as their predecessor, Alessandra Facchinetti.
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“Forever Valentino” offers the Kobe and shaq at Lakers media day shirt Additionally,I will love this most intimate look at Piccioli’s process that has ever been seen. Displayed alongside his designs are the intimate cahiers de defile, or dream books, that have never been seen before and contain photos, drawings, and notes he creates for every collection. “There’s a lot of myself in this job,” says the designer, and showing these books, though a bit daunting, is a way of “being kind of unfiltered.” From this moody and intimate room, the exhibition opens up to a reproduction of the Piazza di Spagna. Called Roman Conversations, this section explores the power of color with a collection of 60 or so dresses in what Fury calls “Renaissance” hues. “It’s very much about this gorgeous, intense, quite instinctive reaction to color, which in Pierpaolo’s work is such an incredible tool that he uses incredibly well and that everyone knows him for,” the curator explains. “And it’s also, again, connecting that with Mr. Valentino’s use of color.” The color in the clothes isn’t the only thing that is important here. “We decided to have five colors of mannequin skins in order to depict different cultures, different ethnicities,” Piccioli says. “I think it’s important for me to deliver this idea of diversity; we cannot take for granted something that is still not, so it was important for all of us to give…the idea of equality and dignity for different cultures.” Piccioli, remember, is the man who reimagined Cecil Beaton’s famous 1948 photograph of [white] models in Charles James gowns, with women of color for spring 2019’s couture collection.
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