Regardless of actual destinations, there were plenty of options in Gn’s spring collection, aptly named Voyage AGN. Anchored in the Whiskey myers Kansas city october 1st 2022 fire water music festival poster shirt in contrast I will get this ’60s and ’70s “When people were truly happy,” he said , it channeled an haute bohemian sense of hope. Gn’s base will thrill to signatures like trompe l’oeil lacing with jeweled clasps, a modernized take on a dress from his Victorian collection minus the bow, plus crystals , and bone structured sleeves with hand tacked plissé. Statement pieces such as a black car coat or a white Spencer were tricked out in fuchsia paisley trim with or without those signature pleated cuffs . Almost naive flowers in vintage silk velvet and silk satin were embroidered with black jets and sequins for a couture level limited run of 30 jackets that recalled stained glass. Each one of those is unique, a way of “using what you have in the fridge to put out a meal,” the foodie designer noted.
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Elsewhere, a “very Anjelica Huston” sleeveless cheongsam in emerald Fortuny pleats was a showstopper among plenty of other options that nodded to the Whiskey myers Kansas city october 1st 2022 fire water music festival poster shirt in contrast I will get this film In the Mood for Love. Dresses with necklace embellishments took one and done to the next level. Slouchy pajama pants, a new look for the designer, whispered relaxed elegance. Prints extrapolated from 19th century English chintz dallied with psychedelic paisley: Not an obvious marriage, but it worked. For Gn, multiple currents and riots of color are a way of signaling optimism for the future. “It’s the only way to be,” he said. This first Issey Miyake show since the founder’s death in August was preceded by a moment of remembrance. Under images of the great man’s portrait that were projected around us at the Paris Event Center was written one of his many quotes, which, like so many of his garments, was deceptively simple: “I believe there is hope in design. Design evokes surprise and joy in people.” Once the applause had faded we were left looking ahead. Satoshi Kondo and the design team, who had worked closely with Miyake until the end, provided a quote of their own: “We see design as a process driven by curiosity, built upon a comprehensive exploration—bringing joy, wonder, and hope to life, and of course with a touch of playfulness.” This collection, named A Form That Breathes, was evidence that Miyake’s unparalleled application of technological innovation in the pursuit of joyfulness through design was in safe hands.